[{"data":1,"prerenderedAt":28},["ShallowReactive",2],{"master-data-bijin-met-37315":3},{"art":4,"mdHtml":23,"next":24},{"id":5,"original_title":6,"artist":7,"date_created":8,"image_url":9,"neutral_story":10,"neutral_story_en":11,"affiliate_zone":12,"seo":13,"json_ld":17},"met-37315","The Art of Sashimi Preparation","Kitagawa Utamaro","1806–20","\u002Fimages\u002Fukiyoe\u002Fmet-37315.webp","","In the tranquil embrace of the Edo period, behold the exquisite Ukiyo-e masterpiece, 'The Art of Sashimi Preparation.' Crafted by the renowned artist Kitagawa Utamaro between 1806 and 1820, this artwork invites you into a serene moment of culinary artistry. Here, graceful women engage in the delicate ritual of preparing sashimi, their movements harmonizing with the gentle flow of life. Each stroke of Utamaro's brush captures the essence of beauty and mindfulness, reflecting the profound connection between nature, sustenance, and the art of living.",{},{"title":14,"description":11,"og_type":15,"og_locale":16,"og_locale_alternate":16},"The Art of Sashimi Preparation | Japan Zen Journey","article","en_US",{"@context":18,"@type":19,"name":6,"image":9,"dateCreated":8,"artworkMedium":20,"description":11,"creator":21},"https:\u002F\u002Fschema.org","VisualArtwork","Woodblock print",{"@type":22,"name":7},"Person","\u003Ch2>【香粉未乾，夜色已深】\u003C\u002Fh2>\n\u003Cp>屋裡沒有風。\u003C\u002Fp>\n\u003Cp>只有衣袖輕輕擦過木板的聲音。\u003Cbr>\n一名女子坐在矮几旁，低著頭，雙手正整理著什麼。她的髮髻高高盤起，簪子安靜地橫在髮間；身上的衣料一層疊著一層，花紋藏在陰影裡，像夜裡沒有說出口的話。\u003C\u002Fp>\n\u003Cp>身後的女子站得更高一些。\u003C\u002Fp>\n\u003Cp>她沒有看我們。\u003C\u002Fp>\n\u003Cp>她只是把手裡的布料往上提，神情平靜得近乎疲倦。\u003C\u002Fp>\n\u003Cp>江戶的女人，常常就是這樣過夜的。\u003C\u002Fp>\n\u003Cp>不是等待英雄。\u003Cbr>\n也不是等待奇蹟。\u003C\u002Fp>\n\u003Cp>只是把今日留下來的東西，一件一件收好。\u003C\u002Fp>\n\u003Cp>木盤裡似乎還留著水。器物泛著微弱的光，映出兩雙手的影子。屋外大概已經很安靜了，街上的腳步逐漸稀少，遠處若有燈籠，也只剩一點模糊的紅。\u003C\u002Fp>\n\u003Cp>她們或許已經忙了一整天。\u003C\u002Fp>\n\u003Cp>替人整理衣物，準備日常所需，收拾剛用過的東西。\u003C\u002Fp>\n\u003Cp>這些事情從來不會登上歷史。\u003C\u002Fp>\n\u003Cp>沒有武士拔刀。\u003C\u002Fp>\n\u003Cp>沒有城門燃燒。\u003C\u002Fp>\n\u003Cp>沒有誰在史書裡留下姓名。\u003C\u002Fp>\n\u003Cp>可是，江戶真正漫長的夜晚，正是由這些細小的動作撐住的。\u003C\u002Fp>\n\u003Cp>女子忽然停了一下。\u003C\u002Fp>\n\u003Cp>她低頭看著自己的手。\u003C\u002Fp>\n\u003Cp>指尖沾著一點水，也可能是某種細碎的粉末。\u003C\u002Fp>\n\u003Cp>身後的人沒有催促。\u003C\u002Fp>\n\u003Cp>她只是站著。\u003C\u002Fp>\n\u003Cp>兩個人之間隔著一小段沉默。\u003C\u002Fp>\n\u003Cp>那沉默不像悲傷。\u003C\u002Fp>\n\u003Cp>更像是她們早已知道，明天醒來，一切還會重新開始。\u003C\u002Fp>\n\u003Cp>布料重新落下。\u003C\u002Fp>\n\u003Cp>[木器發出一聲很輕的碰響。]\u003C\u002Fp>\n\u003Cp>夜色於是又往屋裡深了一寸。\u003C\u002Fp>\n\u003Cp>而我們站在門外，看見她們沒有看見我們。\u003C\u002Fp>\n\u003Cp>江戶的美，有時候並不在臉。\u003C\u002Fp>\n\u003Cp>而在一雙手如何收拾完一天之後，仍然安靜地伸向明天。\u003C\u002Fp>\n",{"id":25,"original_title":26,"seo_title":26,"image_url":27},"met-37354","The Kitchen","\u002Fimages\u002Fukiyoe\u002Fmet-37354.webp",1788977206054]