[{"data":1,"prerenderedAt":30},["ShallowReactive",2],{"master-data-musha-met-789146":3},{"art":4,"mdHtml":24,"next":25},{"id":5,"original_title":6,"artist":7,"date_created":8,"image_url":9,"neutral_story":10,"neutral_story_en":11,"affiliate_zone":12,"seo":13,"json_ld":17},"met-789146","Lady of the Evening Faces: Orie, the Wife of Yazama","Utagawa Kuniyoshi","1845–46","\u002Fimages\u002Fukiyoe\u002Fmet-789146.webp","","In the tranquil embrace of twilight, we encounter 'Lady of the Evening Faces,' a delicate portrayal of Orie, the wife of Yazama. This exquisite piece, crafted by the masterful hand of Utagawa Kuniyoshi during the years 1845-46, invites the viewer to wander through the ethereal realms of the Genji narrative. Here, amid clouds that whisper ancient tales, Orie embodies grace and serenity, her presence a gentle reminder of the fleeting beauty of the moment. As part of the series 'Scenes amid Genji Clouds Matched with Ukiyo-e Pictures,' this artwork encapsulates the essence of Ukiyo-e, where every stroke is a meditation on impermanence and the elegance of life.",{},{"title":14,"description":11,"og_type":15,"og_locale":16,"og_locale_alternate":16},"Lady of the Evening Faces: Orie, the Wife of Yazama | Japan Zen Journey","article","en_US",{"@context":18,"@type":19,"name":6,"image":20,"dateCreated":8,"artworkMedium":21,"description":11,"creator":22},"https:\u002F\u002Fschema.org","VisualArtwork","https:\u002F\u002Finner-journey.cc\u002Fimages\u002Fukiyoe\u002Fmet-789146.webp","Woodblock print",{"@type":23,"name":7},"Person",null,{"id":26,"original_title":27,"seo_title":28,"image_url":29},"met-789147","“‘A Boat Cast Adrift’ (Ukifune): Omatsu and Akabori Mizuemon,” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase)","“‘A Boat Cast Adrift’ (Ukifune): Omatsu and Akabori Mizuemon,” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase) | Utagawa Kuniyoshi - 浮世繪畫廊","\u002Fimages\u002Fukiyoe\u002Fmet-789147.webp",1789371163428]